What Did Rammstein Do With Six Songs Left Over?

What Did Rammstein Do With Six Songs Left Over?

In October 2005, Rammstein turned six finished tracks left over from the Reise, Reise sessions into a full album. Rosenrot became their fifth studio album.

Key points

  • Rammstein released their fifth album, Rosenrot, in Europe on 28 October 2005, built from six songs left over from the Reise, Reise sessions.
  • The album was originally planned as Reise, Reise Volume Two before being renamed Rosenrot on 18 August 2005.
  • Rosenrot hit number one in Germany, Finland and Austria and had sold one million copies worldwide by February 2006.
  • The album's cover used a photograph of the icebreaker USS Atka taken in Antarctica on 13 March 1960.

· Published · 4 min read

Rosenrot
Cover of “Rosenrot” by Rammstein. Source: Cover Art Archive (coverartarchive.org)

In October 2005, Rammstein faced an unusual problem: they had more finished songs than they could use. They had written more material than could fit on their previous record, Reise, Reise, and instead of letting six finished tracks gather dust, they turned them into a new album. That record, Rosenrot, became their fifth studio album and arrived in Europe on 28 October 2005.

From leftovers to a full album

The answer to what Rammstein did with those leftovers was simple: they built a full release around them. Originally the plan was to call it Reise, Reise Volume Two, a title that made the connection to the earlier album explicit. But on 18 August 2005, the band announced a new name, Rosenrot, and the project took on a life of its own.

The songs were not scraps. The band and producer Jacob Hellner had recorded them in two very different places: Teldex Studio in Berlin and El Cortijo Studio in Malaga. The album included guest voices like Sharleen Spiteri and Bobo on the sixth track, Carmen Zapata singing in Spanish on 'Te quiero puta!', and a string arrangement by Olsen Involtini on 'Hilf mir'. A trumpet arrangement by Sven Helbig and a choir led by Matthias Wilke added layers that made the record feel deliberate, not like an afterthought. The band also gave fans an early preview online. On their official website, they posted one-minute samples of six tracks and added a countdown to the release date. It was a small gesture, but it kept attention on the album in the weeks before it arrived.

Singles and release strategy

The first taste the public got was 'Benzin'. Rammstein first played it live in Berlin at the Wuhlheide, then released it as a single on 7 October 2005, weeks before the album. Two more singles followed: the title track on 16 December, and 'Mann gegen Mann' in March of the next year. The band was not treating Rosenrot as a quick cash-in; they were pushing it like a main event.

Even the cover told a story of deliberate choices. The image came from a photograph of the icebreaker USS Atka, captured in Antarctica on 13 March 1960 and lightly edited for the cover. The frozen ship set the tone before a single note played. Some editions came with extra material. A limited version included a bonus DVD with live performances of 'Reise, Reise', 'Mein Teil' and 'Sonne', recordings that later appeared on the Völkerball DVD. Its artwork was also changed, with a 'Limited Edition' label and reflective lettering that echoed the band and album names.

The gamble paid off immediately. Rosenrot hit number one in Germany, Finland and Austria. By February 2006, the album had sold one million copies worldwide. An album born from leftovers had become a commercial success. The album also travelled in unusual formats. It was released on compact cassette, with the first six tracks on side A and the remaining five on side B. The American version carried a Parental Advisory warning on the cover, while a 2009 Japanese edition appeared on SHMCD with a DVD. The album also reached number two in Denmark, Sweden, Switzerland and Norway. In the United Kingdom it climbed to number 29, while in the United States it peaked at number 47 on the Billboard 200. Its total running time was 48 minutes.

What made the project remarkable was not just the chart success. It was the confidence of a band that could afford to treat six songs from a previous session as a standalone statement. Rammstein had recorded more than they needed, and instead of hiding that fact, they made it the headline.

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