George Martin Revisits The Beatles on In My Life

George Martin Revisits The Beatles on In My Life

George Martin's In My Life, released on 20 October 1998, hands Beatles songs to Sean Connery, Jim Carrey, Celine Dion and Jeff Beck.

Key points

  • In My Life was compiled and produced by George Martin and released on 20 October 1998 through MCA in the US and The Echo Label elsewhere.
  • The album's guests include Sean Connery reading "In My Life", Jim Carrey on "I Am the Walrus" and Celine Dion on "Here, There and Everywhere".
  • The record reached number 5 in the UK and number 3 in New Zealand, while PopMatters reviewer Sarah Zupko gave it 2 out of 10.

· Published · 4 min read

In My Life
Cover of “In My Life” by George Martin. Source: Cover Art Archive (coverartarchive.org)

The album opens with a familiar voice reading a familiar lyric, but it is not John Lennon. It is Sean Connery, the Scottish actor, speaking the words of "In My Life" over George Martin's music. The record is In My Life, a collection of Beatles covers compiled and produced by Martin, the man who produced the originals. George Martin released In My Life on October 20, 1998.

Sessions and 1998 release

Martin had spent the spring and summer of 1997 recording these songs with a cast of guests from film and music. The result came out on 20 October 1998 through MCA in the United States and The Echo Label elsewhere. It was a strange moment: the producer returning to his own catalogue, handing it over to celebrities.

It was a strange moment: the producer returning to his own catalogue, handing it over to celebrities.

The tracklist reads like a party guest list. Robin Williams and Bobby McFerrin share "Come Together." Goldie Hawn plays keyboards and sings on "A Hard Day's Night." Jim Carrey performs "I Am the Walrus." Celine Dion takes "Here, There and Everywhere," while Vanessa-Mae plays "Because" on violin. The guest list stretched beyond Hollywood. Guitarist John Williams took on George Harrison's "Here Comes the Sun," while Scottish comedian Billy Connolly performed "Being for the Benefit of Mr. Kite!" The album also gained extra tracks in some regions: a South American edition included "Ticket to Ride" sung by Meninas Cantoras de Petrópolis, and the Japanese release added "Blackbird" with Bonnie Pink on keyboards and vocals.

Some choices were more serious. Jeff Beck plays guitar on an instrumental version of "A Day in the Life," a performance that earned him a Grammy nomination for Best Pop Instrumental Performance in 2000. Phil Collins drums, plays percussion and sings on a medley of "Golden Slumbers," "Carry That Weight" and "The End."

Pepperland Suite and original material

The album also includes "The Pepperland Suite," a new piece Martin built from music he wrote for the 1969 film and album Yellow Submarine. There is one original Martin composition, "Friends and Lovers." In total, the record holds 14 tracks, all in English, released on compact disc.

Not everyone was charmed. PopMatters reviewer Sarah Zupko gave the album 2 out of 10, calling Goldie Hawn's turn on "A Hard Day's Night" and Sean Connery's reading of "In My Life" an awkward spectacle. AllMusic's Cub Koda was kinder, noting the result stayed true to Martin's orchestral arranging tradition with interesting twists. The record's reach also extended to Scotland, where it climbed to number 16 on the national chart. That result sat between its stronger showings in New Zealand and the United Kingdom and its more modest placement in the Netherlands. Across the English-speaking markets, the album found a receptive audience for Martin's orchestral approach.

The public response varied by country. In Australia the album reached number 7 on the ARIA chart and placed 93rd on the year-end list. New Zealand sent it to number 3. In the UK it hit number 5 and landed at 94 in the annual chart for 1998. The Netherlands kept it lower, at number 73. The project also reflected Martin's standing as a producer who could draw major names into a single studio. The sessions, held between March and August 1997, brought together actors, comedians and musicians from different generations. By the time the album appeared in October 1998, it had become a showcase for both the songs and the producer's enduring connections.

Martin's role here was double: producer and compiler. He gathered the songs, arranged the sessions, and shaped the record. It followed his work on the Live and Let Die soundtrack and preceded the compilation Produced by George Martin – 50 Years in Recording. In My Life stands as his strange, star-filled return to the songs that defined his career.

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